Beethoven: man, composer and revolutionary
This week marks the 200th anniversary of the public premier of Ludwig van Beethoven’s Ninth Symphony, one of the most astoundingly brilliant musical compositions in history. Despite being functionally deaf by 1824, Beethoven personally conducted the premiere in Vienna, continuing his wild gesticulations after the final note had faded, amidst rapturous applause. The performance and the piece itself, often called the ‘Marseilles of Humanity’, were a defiant rallying cry for freedom and brotherhood in a period of counterrevolutionary reaction. To mark the occasion, we republish ‘Beethoven: man, composer and revolutionary’ by our editor-in-chief, Alan Woods.